Feb 022012
 

©Jaimee Todd

I live in Queens but I spend so much time in Brooklyn, people that I see there regularly think I live there. You just can’t help it; Brooklyn is magnetic.  The people are friendly, the brownstones are majestic, and the vibe is contagious. My friend Elle loves it too and even though she lives in Atlanta, she makes yearly pilgrimages to this sacred borough, most especially Ft. Greene,to soak up it’s essence.

Elle loves Brooklyn so much that she commissioned me to do a “Tour Through Brooklyn” which included all of her favorite haunts through Ft. Greene, which ultimately became a postcard set that she’s arranging for her home I wanted to share her commission along with a few other shots that I threw in just for kicks.If you have a photo commission that you’d like me to photograph, email me at jaimee@jaimeetodd.com and we’ll talk!

You can see the embedded slideshow below or visit it in all of its splendor via my Flickr page.

 

Like many people, I’m on several social media sites. I used to think Facebook, Linkedin and Twitter were pointless but after a while, I’ve learned to really appreciate their social utility and their networking opportunities. Facebook is great for catching up for old school pals because it’s like going to class reunion without actually having to go through one and it also feeds my insatiable news junkie needs. Linkedin is awesome for professional networking and Twitter is cool because you can follow damn near anybody on a casual basis without too much fuss.

I have noticed, however, how people can take the “following” thing a little too hard. On Twitter, you can follow whomever you want and people do the same with you. The thing that does take me aback is when someone follows you and then DEMANDS that you follow them back. I had that happen a few months ago; someone out of the blue followed me on Twitter and when I read their profile, it clearly stated that there was an expectation that if that person followed you, you had to follow them back or they would delete you.

Really?

I never bothered to follow that person and a few days later I get a tweet for them demanding that I follow them.

I deleted that person.

I mean, since when did following someone become some mandatory? What’s the penalty for not following someone that follows you? Twitter Purgatory? I guess this might explain why some people have tons of followers even though that person tweets absolutely nothing except the mundane details of crap I don’t care about. Same thing goes for Instagram. Ever since I got into the iPhone picture-taking frenzy, I’ve been happily sharing my photo finds on Instagram, where there’s also the same follow/follower set-up. While people on Instagram don’t demand or threaten that you follow them, there’s a hell of a lot of begging on there. I’ve seen people leaving comments on other Instagram photographer’s profiles pleading for that person to PLEEEEAAAAAASE follow them.

Is it that deep? Have we become a world of followers that needs to be validated by the sheer number of likes and follows on our social media sites? Don’t get me wrong, it’s cool that people are willing to follow what I say and post but I sure don’t lay awake at night tormented by whether or not people like me on Twitter, Instagram, Facebook, Google+ and god knows where else and then proceed to demand that people check me out. My hope is to inspire people to want to follow my work. Following someone is a choice, not a demand.

And so now that you have finished reading this post, please be sure to follow me on Twitter, Facebook, Linked-in, Instagram and Google+…..or else.

 

 

 

 

My friend Denise and I have this inside joke about marbles. Back when I decided to embark on my art career, one of the first things I started painting again were marbles. I’ve always had this fascination with them because of the way they reflect light and because they’re so awesomely colorful. Back when I began painting them, times had become somewhat tumultuous for us both. I was trying to make sense of what I really wanted to do while I tried figuring out a way to make it in New York, and Denise had her own obstacles to overcome. When I told her about how I painted the marbles as a form of meditation, she joked that it was better that I paint my marbles instead of losing them.

Since then, the marbles have been an inside joke for us. A few years ago, when Denise was going through an especially trying time, I sent her the marbles that I had been working on. I was so happy to hear how they cheered her up. She told me how she and her daughters took turns finding something interesting to see in each marble and how each one seem to have their own separate identity.

So you can imagine how timely it was that Denise shared with me a picture of what she did with the marbles painting at a time when I’m having some of my own ups and downs.  By inserting the paintings underneath the glass panel of the tabletop, Denise was able to incorporate the paintings into her coffee table so that now her furniture has a colorful new look!

Seeing these marbles again puts a much-needed smile on my face, so I’m so grateful to Denise for sharing this picture! Special thanks to her daughter Gabbi for taking the pics and sending them to me.

And just a reminder, if you own one of my paintings or photography prints and would like to share how you displayed them in your space, shoot me a jpeg at jaimee@jaimeetodd.com.

Jan 222012
 

Last week I got a new toy for Stevie; it’s this cool macro lens attachment designed for iPhones that I got from Photojojo. As much as I focus on street photography, I really love doing macro shots because it’s like journeying into a whole different world or landscape. Perspectives change so that ordinary objects become seemingly alien territories.

Head Shot ©Jaimee Todd

 

I had a lot of fun with some random coins that I found around the house, including an Australian dollar that somehow made it’s way into my possession. I used the lens to get a cool shot of a quarter too.

Liberty ©Jaimee Todd

 

Here is a close-up of a fork:

Sign of the Tines ©Jaimee Todd

One thing I did realize is that the lens also is kind of a microscope that shows you EVERYTHING, which may be a bad thing depending on what you’re looking, especially if it’s your computer keyboard. Gross! Seeing that up close made me go run for disinfectant, q-tips and anti-bacterial spray when I saw what it looked like up close.

That aside, I love my new lens and Stevie is thrilled with it. Of course I will be sharing as I continue to copiously shoot :)

 

Jan 182012
 

I would be remiss as an artist and a lawyer not to post something about this horrible SOPA tomfoolery that is currently on the table. When you get into its implications, you can’t help but see how poorly thought out this act is. In their heavy-handed attempts to stop piracy and intellectual property infringement, corporations are stifling expression and creativity. Interestingly enough, I suspect these same corporations will be screwing themselves because if they succeed in stifling sites like Youtube, Facebook  and Twitter, it will have a serious adverse affect on their own interests.

WNYC’s Brian Lehrer Show did a segment on SOPA that I thought was very worth sharing because it helps simplify and breakdown its implications. Listen to it right here and then spread the word!

 

If there’s one thing I really dislike, it’s writing an artist statement. I usually never know where to start and what to say, but at the end of the day,  my statements are straight and to the point. I know how short my attention span is and that of the average person’s, so I try to get straight to the point so you can go enjoy the art.

That is why I really can’t stand reading long-winded artists statements. I don’t get them.

How many times have you gone to an art exhibit and tried to get through a long-winded artist statement that is so verbose and hard to follow that  you can’t get past the third sentence and are already off to just look at the art? Add to that, the descriptions don’t even make sense or don’t even seem to go with the art. At the risk of sounding cranky and haterlicious,  it feels like some artists try to make their work sound deeper than it really is.  Why? Maybe it’s because the artist or the gallery feel like it helps sells the work or that’s what they teach in art school. I don’t know.

Simplicity is everything….and that’s all I have to say.

 

Jan 172012
 

The Guitar Player, ©Jaimee Todd

Ever since I got Stevie (for those who don’t know, I’m talking about my iPhone) people have been saying to me, “Man, what happened to Lulu? You just left her behind!” (Again, for those who don’t know, Lulu is my DSLR camera).

Yes, people have teased me that my beloved Lulu has been forsaken for Stevie. While I admit it is tremendously easier to shoot on the go with my iPhone, no one can quite take a shot like my Lulu. Each of my dear cameras brings something different to the mix. Lulu is great for those heavy-duty shots that requires a powerful lens to suck up all that light and add a seemingly third dimension to myimages. Stevie, on the other hand, is fun and spontaneous and lets me play on the go.

As my fellow photographer Charles says, it doesn’t matter what you use; it’s really about the subject matter. And at the end of the day, whether I’m using Stevie or Lulu, it’s like I’m painting with photography and when I’m creating, I’m happy.

But just to assure that there really isn’t a competition between the two, allow me to share with you all my new photography website that features the handiwork of both Stevie and Lulu. I set up a new site via 500px and I love it! Please be sure to visit often as I will be constantly adding new imagery.

Enjoy!

Jan 092012
 

 

So, as you know from my previous posts and incessant tweets, I had the Visual Aids Postcards from the Edge group show over the weekend. From what I can gauge, it seemed like it was a big success in that it sold a lot of pieces. I say this because by the time I made it to the event early Saturday afternoon, I could see a lot of the pictures had been picked over. I was actually surprised and admittedly somewhat disappointed that there wasn’t much of a crowd when I got there. The first time I participated about three years ago, it was packed and pretty festive. I think the show has gotten to a point where people really want to get first dibs on original art by famous artists so they stake out their claim early on, nab their piece and go. This year’s artists included Yoko Ono and John Waters. While I’m glad to be able to contribute to a charity show, I did have a few peeves or criticisms about the event.

For one, I didn’t like the way my postcard was hung. It was below eye-level and out of the line of vision. I realize that they have to accommodate for space I still wished my postcard has been presented better. In addition to that, I felt my piece, as well as many others, got lost in a sea of postcards. It’s really hard to make yourself stand out in shows like that because there are so many cards (like hundreds), that it’s easier to overlook works that deserve more attention.I will admit though, that I probably chosen a piece that stood out more. This year, I submitted one of my photography images, which was a black and white of skyscape. Chances are my piece was a little too tame for the New York crowd.

One of the pieces that I really liked.

While I really liked some of the pieces that were submitted, I will have to admit, at the risk of sounding like a prude, that there seem to be a lot of phallic overload. I get that the topic addresses AIDS and of course that will encompass a lot of sexual themes, both heterosexual and homosexual, but each year there seem to be an preponderance of penises. Some of them are creative but in some cases, it just seemed like the artist just slapped penises on a postcard for penises’ sakes. The way that some people used them in their work, you really have to wonder if they expected someone to buy them. But that’s just my opinion…

As I mentioned earlier, the crowd wasn’t really all that big, which I felt took away a lot of the excitement of the show. This year they did a silent auction, which might explain why some pieces got snatched up early and the night before the official opening of the show, they had the usual preview party. It’s possible that people wanted early dibs on a coveted piece spent the $85.00 just to get into the show (which is kind of a crazy admission price) so they can get still get a bargain on an original piece of work that was done by a well-known artist. With those kind of prices and the fact the show was held in Chelsea’s gallery district, you know there were some people with big bucks ready to make a killing. While the resulting profits do go to artists living with AIDS, I still feel like I was somewhat stuck in that whole Chelsea gallery scene that I don’t care for, where you see stuff like this:

Look at what I found outside the gallery....

So it was what it was. Like I said, I’m glad that I was able to be part of a good cause and I’ll likely do it again next year, sans phallus.

 

 

Happy New Year!

Once again, I will be one of the participating artists in Visual Aids’ Postcards From the Edge. One of my pieces will be displayed for sale alongside fellow emerging and well-renowned artists.  All artwork is priced exactly the same, so you can get your hands on an original piece by a famous artist for a steal! Past participants have included Kara Walker and Yoko Ono.

So come on out, buy an original piece of artwork and support a good cause! Proceeds from sales will benefit New York artists living with AIDS.

Date: January 6-8, 2012

Location:  Cheim & Read, 547 W 25th St, New York

Hours:  Saturday, January 7 from 10:00 – 6:00pm  Sunday, January 8 from 12:00 – 4:00 pm 

Hope to see you there!

 

 

 

 

 

 

 

Jan 012012
 

Quasar, ©Jaimee Todd

Full disclosure: I’m a total Star Wars geek and if I’m not mistaken (and I know I’m not), Yoda once told Luke Skywalker, as he was training to become a Jedi in the Empire Strike Back: Do or do not; there is no try.”

I’ve decided that quote is going to be my theme for 2012.

I usually don’t get bent out of shape in making New Year’s resolutions because I’m a results-driven person and I’m constantly making to-do lists to complete.  For the most part, I’m pretty good at going after them and get things done but there are times when I have hesitated and made excuses. Aside from the itty-bitty ones, like not going to the gym when I say I’m going to, I’m really talking about the big ones that would further my long-term goals in regards to my art. With each passing year, I realize how finite time is and how important it is that I look back on my life without regret and wishing I had done things that I had always dreamed of doing.

This really hit home for me over the holidays when I went to visit family and friends. Going back home to Michigan is always a sobering experience for me. It’s a state that has been clobbered by the recession and the resulting malaise permeates the air. You can see how this feeling has spread to its inhabitants and it always makes me feel grateful to live in New York. While I was home, I was having a conversation with someone close to me and that person was complaining, for what seemed to be the hundredth time, that they were in a rut. As usual, I offered suggestions and ideas for this person to get the ball rolling and as usual, this person found an excuse for why these things could not be done. It was depressing.

I’ve heard this many times and I really believe this: if you’re not happy with your situation and you want to change it, you have thee options.(1) Change your situation (2)Make peace with it and do nothing (3) Or change your approach or attitude towards it. Above all, what’s most important is to STOP COMPLAINING ABOUT IT. Make this your year of action and stop moping about what you haven’t done and start doing. Sometimes I think we complain and beat ourselves up out loud because we somehow want someone to validate our inaction and give us a way out so we don’t have to feel about not doing anything. For me, it’s just frustrating to hear people complain about the same thing without doing anything about it. Unless you make peace with your situation as it is, you have to create your own momentum shift. Sometimes that requires help and guidance but the point is, get moving.

I was inspired by a couple of people this year who have really gone after their dreams by jumping in with both feet. One of them is my older sister, Ani Todd-Smith. For years, she had dreamed of pursuing an art career and sharing with it with the world. After many years of doing what was “practical”, she finally decided to put her passion first and started drawing, blogging and getting her out to the people by participating in several art fairs. I’m so proud of her because she went for it, even during those times when she didn’t know what she was doing or where this path would lead her. The best part of it all is that she’s a lot happier for it and her momentum shift is continually expanding.

As for me, my momentum shift involves really getting my out in person. I’m tired of trying to strictly go the online route and have decided to embrace my photography and share it with the world, but in person. I’ve received a lot of enthusiastic praise for my street photography and the pleasure I get from taking pictures is reassuring. I’ve already talked to a cafe owner in Queens about bringing my stuff in and I have my eye on a couple of other places that I will be visiting next week for potential shows. I will be creating deadlines for myself because, for me, that’s how I get things done.

So what about you? Are you going to try or just do?

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