Jaimee

Jul 102010
 

photograph by Jaimee Todd

I love clouds! They bring out the wide-eyed kid in me, making me wish I could fly so I could reach out and touch them, especially those big cumulus ones like these guys here. I was on my way to work the other day when I spotted them hovering over the train tracks like big white pieces of cotton candy. I once tried painting a mural of them  with my sister as a “gift” to my mom. Um, they didn’t turn out so well, much to my mother’s disappointment, but it taught me an important lesson: you just can’t compete with Mother Nature.

Anyway, here are a few more clouds for your enjoyment!

photograph by Jaimee Todd

photograph by Jaimee Todd

Jul 052010
 

Last week I had my first day of class at the Arts Student League. I haven’t taken an art class in about ten years so my first visit back into the classroom was exciting but I was admittedly a little nervous. Afterall, I was taking classes at the same place that my favorite Georgia O’Keeffe studied, as well as Jacob Lawrence, but a lot of that went out the window when I visited the school to pick up my supply list. The school has been around for nearly 130 years and is designed to offer low-cost art classes to people of all background, both financial and technical, pretentiousness aside. Talk about a real gem in New York!

Anyway, the day of class, I showed up, over zealously prepared with my huge portfolio to hold massive my big old sheets of watercolor paper, EVERY watercolor brush I’ve collected over the years, a smaller set of watercolor arches, a brand new set of paints and a lot of other supplies I probably didn’t need but I was determined not to be unprepared. Once the class monitor got me straightened out, I finally settled in and tried to figure out what I wanted to paint. The students have a choice between painting a still-life of a vase full of flowers or a nude model. I figured I would try to paint the nude model since I have painted my share of flowers and needed to challenge myself. I have NEVER painted a nude before and it’s been a minute since I’ve done figure drawing. It was time to try something new.

At the risk of sounding like a prude, it took a minute for me to get used to the idea of a naked woman standing unabashedly in the buff in various poses in front of a class of people, but I quickly got over it. The way the class is structured, everyone does quick, five minute sketch-paintings of the figure with a little bit of a break in between. After that, you get two ten minute sessions and then towards the end of class, you get a full hour. I was actually spending more time trying to wrap my head around the idea of trying to crank out a human form in something as little as five minutes, but as the class monitor casually told me: You get better at it with time.

The great thing about making art is that when you are in process of creating, you really get lost in what you’re doing and every random stray thought, distraction is blocked out. It’s one of the few times I feel totally immersed in the moment. This is precisely how I felt when I was whipping through those five minute sketches. As it turned out, I was pretty happy what I was able to pull out in my first attempts:

Nude watercolor sketch by Jaimee Todd

Watercolor sketch by Jaimee Todd

Surprisingly,  I liked my five-minute sketches more than the ones that we had to work on for an hour. I think it’s because I work more loosely and don’t have to worry (or have the time) to overwork each piece. It makes me want to paint random people more spontaneously, so if you happen to see me sitting across from you at a park bench, staring intently at you as I seem to frantically move a paintbrush across a piece of paper, pay me no mind…just another crazy New Yorker trying to get her art hustle together.

So I suppose it’s safe to say that I really dug my first class and can’t wait to go to the next one. Art Students League rocks!

 

Left: Frances Nielah Bradley; right: me

I hate to brag, but the art gene runs strong in my family. Not only is my sister an artist, but so are various cousins on my father’s side of the family, including my cousin Frances Nielah Bradley, who recently was featured in the group show Fela, Life After Death at the Caribbean Cultural Center African Diaspora Institute in Manhattan. My cousin, who is a talented painter and muralist, was among several well known artists who displayed worked that depicted the spirit, life and music of Fela Kuti. The pieces were bold and colorful just like Fela. The show had a massive turnout, so much so I couldn’t get in good enough shots of the works, so I had to sneak back in a few days later so I could share some of the great works with you good people. Fela, Life After Death will be on display at the Caribbean Cultural Center African Diaspora Institute until August 10, 2010.


Created with Admarket’s flickrSLiDR.

Jun 162010
 

Be Here Now by Jaimee Todd

So before you write me off as having fallen off the face of the earth, let me offer my apologies for being so out of pocket. I must confess that I haven’t had much energy to write anything recently because I have been giving the bread-and-butter gig my undivided attention. Additionally, the unfettered internet access I had was doing something weird to my brain, which can be explained in this article that I read last week in New York Times. In short, I haven’t had much oomph to blog or do anything on the creative tip. I have been none to happy about this and as a result, I’ve decided to a little digital detox (except for when I have to blog of course!) and signed up for a watercolor class at the Arts Student League of New York. I’m so excited about the latter. I haven’t had a chance to take an art class in eons and to be able to take one at one during my favorite time of year is an extra benefit. Oh, and let’s not forget that some of my favorite artists like Georgia O’Keeffe and Jacob Lawrence have studied there so I figure I have to come away with some skills and artwork to add to my arsenal.In addition to that, I will be opening up a new online store for my artwork (you might’ve noticed my Etsy site is out of commission and I am in the process of moving everything over to Big Cartel).

So fret not, my babies, I shall be back with pretty, artsy things to share with you! I won’t let all these good vibes go to waste.

Jun 022010
 

painting by Doug Hilson

I  know I’m a bit late in my update (blame it on the 9-5 and the holiday), but I did want to share the news from the art show exhibition last week. I’m happy to say that it went very, very well with an incredible turnout that happily took all of us by surprise.

Artists from the show from left to right: Cara Bonewitz, Evan Levine, me, Karen Fitzgerald, Lee Vanderpool, Steve Berrebi, Doug Hilson

I have to say that this exhibition, entitled Color, No Apologies, has to be one of the best I’ve participated in. Not only do I get a chance to display four larger-scale pieces, but I get to have them up in a really nice gallery-like setting that with great wall space. We also got an outstanding turnout for the opening reception that included art curators, people from the press as well as all out art lovers.

It was also incredibly meaningful to get feedback about my pieces from complete strangers, some of whom told me that they found my pieces to be soothing, colorful and luscious. Being able to interact with people about your art is a tremendously validating experience; all those solitary hours spent trying to make just the right expressive composition finally pays off . It really makes you feel like what you do has a purpose, even if it’s something as simple as brightening the day of someone that is having a dreary moment at the office.

Agave2 by Jaimee Todd, Watercolor, 22x30 inches

I didn’t get a chance to take as many pictures as I normally would because I was doing a lot of meet and greets (which is a good thing), but I’ll be sure to post more that I can get my hands on.

Many thanks to all those that made it out!

Color, No Apologies will be on display at Broadway Suites at 192 Lexington  until September 27, 2010. Visits to the space are available by appointment.

 

Last weekend I went to Deitch Projects to see Shepard Fairey‘s May Day exhibit. Shepard Fairey is the artist who is famous for the Obama Campaign’s HOPE image but frequently does work that addresses social, political and environmental issues in his signature stenciled, bold-colored style. The more I saw of his work, the more I really dug him, so I was pretty geeked to learn that he would be doing a show in New York at the soon-to-be closed Deitch Projects galleries  in Manhattan.

The theme of the exhibition was May Day, celebrated around the world on May 1 as International Worker’s Day or Labor Day, and is often marked by political demonstrations and celebrations. Touching on that theme, Fairey’s work highlights various topics  like Health Care Reform, U.S. oil dependence and  also features portraits of  reknowned political figures and activists such as:

 

 Cornell West

Another one of my favorites was this painting he did of Muhammand Ali:

I like the haunted nature of the piece with it’s dark, charcoal grey tones and how the various layers of paint, newspaper clippings and stenciled patterns create texture, mood and an antique essence to his subject matter. If you take a closer look at Fairey’s pieces, you can see how even the background tell a story that adds another dimension to the work. To give you an idea, here’s a closer look at his Ali painting:

 

Overall, I think it was a great exhibition and I was thrilled to be able to see Fairey’s work in person. My only complaint would be that some of the arrangements of  his smaller pieces were stacked so far up the wall that it was really hard to see what they were unless you stood from a distance. But aside from that, it was in a great setting and the room flowed in such a way you could enjoy the depth of Fairey’s pieces in a crisp, spacious environment.

If you’d like to see Shepard Fairey’s work in the flesh, which I highly recommend, the exhibition will run until May 29th  at Deitch Projects’ Soho gallery at 18 Wooster Street in Manhattan. You can also see more of the pics I took from the exhibition by clicking on my Filckr thumbnail links on the left side of my blog.

 

Mangoes, 18x24 inches, watercolor by Jaimee Todd

Just wanted to let you know that I’ll be doing a group show with eleven other artists at Broadway Suites in New York City. Four of my pieces, including the one shown here, will be on display and will be available for sale from May 27th to September 27. The opening reception, which will be catered with delicous food and wine,  will be next Thursday, May 27th from 6-8 p.m. at 192 Broadway, NYC. For more info, feel free to visit my homepage or shoot me an email at jaimee@jaimeetodd.com .

 

Most artists tend to use sketch pads when they want to hash out the details for the next work. I, on the other hand, prefer to use Post It Notes. I tend to horde them when I’m at work and use them to write any and everything down but I also found they’re great for sketching. I think I like them because of the way they force me to compartmentalize my ideas and it’s easier for me to visualize how the drawings will take look on the entire canvas.

Anyway, here are some of my latest doodles for what I hope to be a cityscape series. I’ve never really done architectural works so this one will be a real challenge because I’m trying to do something that doesn’t look so technical and cold while giving life to concrete skyscrapers. It’s very much a work in progress but I’ll keep you posted (no pun intended….really).

 

The latest submission comes from Laurie from Champaign, Illinois, who bought three of my postcard prints and integrated them into her recently redecorated living room:

Since Laurie was redoing her walls in buttery shades of yellow, touched off by punches of red in green in her accent pieces, she figured the postcard prints would be a great addition to her color palette. Featured here are, from top to bottom, El Sol, Journey, and Caballo del Sol. These prints are still available for sale on my Etsy site.

I’m always curious to see how people display my pieces once they got them so if you have pictures that you’d like to share, please email them to me at jaimee@jaimeetodd.com. Pictures need to be clear and with good resolution. You may also include a brief description of the setting.

Cheers!

 

This used to be a common reference to me not too long ago when I decided to reinvigorate, or rather, pursue an art career. I’m a lawyer, somewhat of the non-practicing persuasion, but admitted to practice nonetheless. I don’t put this out there as a badge of honor or for bragging rights but as a way of illustrating the  the importance of going after your dreams.

While I will admit my law degree was good for learning how to ingest and analyzing large quantities of information and honing my ability to write more concisely, it wasn’t what I was passionate about. It just seemed like a practical pursuit and a safer route than attending art school, which was something I was toying with after I finished college.  Instead, I went  ahead and enrolled in law school but my lack of passion or interest in the law becoming increasingly apparent with each passing year of school.  I think it was responsible for a lot of the stress that I slugged through; I knew I was struggling for something I really didn’t want. For those of you aren’t familiar with it, law school is no picnic (unless maybe you’re a sadist or you’re in denial); even the people who I know that  did exceptionally well and are in satisfying careers frequently wonder aloud why they, or anyone else would put themselves through it.

Aside from being massively stressed, I was also creatively depleted too. Up until law school, I drew and painted frequently and even exhibited some of pieces in local cafes back in my hometown in Michigan but that soon changed when I became a law student. My desire to draw and paint quickly evaporated  so that every time I tried to sit down and paint something, I ended up just staring at a blank page.  Interestingly enough, it wasn’t until my last few months of law school that my desire to create returned, which was probably because I realized that the end was near. Duality was a result of this reawakening.

"Duality", 9x12 inches, Watercolor by Jaimee Todd

So after I make it through graduation, moved to New York, passed the bar exam, I started looking for attorney jobs in the public and private sector. Despite all the networking, volunteering, and putting on a brave face, I couldn’t get over the feelings of queasiness every time I went into a job interview for a position that I knew I didn’t really want. I really began to feel as though I was living an inauthentic life. Every time I read about someone who had shed the weight of other people’s expectations and went after their dreams, I felt my spirit yearn for the same thing. Around this time, I had decided to buy a small Kodak digital camera and started taking pictures of fascinating my New York surroundings and went on to paint them.

In the meantime, I took up legal contract gigs around the city so I could at least pay my bills while I tried to make sense of what I wanted to do with my life. One day, I brought copies of my paintings to work to show to some of my friends who expressed interest in my creative pursuits. One of them looked through my prints and flatly asked, “Why are you lawyer? This is what you should be doing.” That was somewhat of a lightbulb moment for me; why wasn’t I pursuing this more vigorously? What was I afraid of? Realistically, I knew that the art world is super competitive and being able to sustain yourself from from your fine art is a luxury that not everyone can afford but that still didn’t mean I couldn’t pursue my art. I would just do what lots of artists here do until they get their breakthrough moment; do your bread and butter gig so that you can still practice what you love (without necessarily going into the poor house).

In spite of this realization, I knew that one of the hardest thing about this decision was feeling comfortable about sharing my dreams without ridicule from others; particularly the ones that I went to law school with. It didn’t take me long to figure out that I would have to get over this fear because there was always going to be someone that a problem with my decision. Case in point: I met a former classmate for dinner and drinks one night. She had attended FIT and then decided to go to the same law school  that I went to and then  went straight for her LLM afteward. After she spent most of the night bragging about her accomplishments, her new job, and having her own office, I finally told her about my decision to pursue my art and my true feelings about being a lawyer. My confession was met with cynicism, pessimism and mild scorn. According to her, not only was I making a big mistake (because she had assumed that I LOVED law school and that I would make an excellent attorney. Don’t ask me where she got this from; she talked so much about herself in the two years that I knew her that it seemed like she was vaguely aware that I existed) but also, my technical skills were lacking and I should really go to art school to “get it together”. Then she proceeded to brag about how she used to be a fashion designer and that her mother was a big time artist that used to hang out with the likes of Salvador Dali.

Needless to say that after that night, I no longer consider this person a friend.

That little incident also taught me that you  really do find out who your real friends are when you make important decisions like that, irrespective of whether it makes sense to other people. I found that my true friends openly supported me and wished me well. These are the people that have and continue to support me to this day.

I made that decision to take a different path about four years ago. Since that time, I have continued painting, participated in various art exhibitions in New York City, developed an online gallery (in addition to this here blog) received several commissions and have met some pretty incredible people along the way. In short, I feel as though I’m really going after my dream. It isn’t totally concrete and there are still things that I work on along the way, but I am a lot happier in deciding to go my own path, however unusual and imperfect. I still do contract legal work, but I now see it as a way of funding what is really important to me.

I wrote this post not only as a way of being more open about who I really but also to hopefully encourage any of you out there that are sitting on the fence about your dreams. You only live once and it’s best done when you go after what you want instead of what people think you ought to prefer. As cliche as it sounds, nothing could be more true than they saying: “Nothing ventured, nothing gained.”